类型:奇幻地区:莫桑比克剧发布:2020-12-04 01:20:53


The Chasseurs de Lorraine and regiment de Flandre having been sent to Versailles on account of the crimes and murders daily committed there, the gardes-du-corps gave them a splendid banquet in the Salle de Comédie, to which all the troops, including the gardes-nationales, were invited.They then returned to Lyon, where they parted company; Félicité’s aunt and cousin returning to Paris, while she and her mother went back to Burgundy.

[315]This journey they made in safety; though for a few hours they skirted along the French outposts, saw in the distance a village on fire across the Rhine, and heard the continual roar of the guns.

Often the composers Grétry, Sacchini and Martini had portions of their operas performed there before their first representation at the theatre, the singers were Garat, Asvédo, Richer, Mme. Todi, and many well-known amateurs. Cramer and Hulmandel played the piano, Salentin the hautbois, Viotti, Jarnovick, Maestrino, and Prince Henry of Prussia the violin.As to La Fayette, he had rushed to Paris, violently reproached the Assembly for the attack on the Tuileries, demanded the punishment of the Jacobins, and offered to the King the services which were of no value, and which, as long as they had been of any use, had been at the disposal of his enemies.

Pauline and her aunt were extremely fond of each other, though their ideas did not agree at all. Mme. de Tessé adored La Fayette, and the deplorable result of his theories from which they were all suffering so severely did not prevent her admiring them.à Marat,

Never in the world’s history was a stranger mingling of generosity and folly, unpractical learning [212] and brutal ignorance, misguided talents and well-meaning stupidity, saintly goodness and diabolical wickedness, heroic deeds and horrible crimes, than in the years ushered in with such triumph and joy by the credulous persons so truly described in later years by Napoleon: “Political economists are nothing but visionaries who dream of plans of finance when they are not fit to be schoolmasters in the smallest village.... Your speculators trace their Utopian schemes upon paper, fools read and believe them, every one babbles about universal happiness, and presently the people have not bread to eat. Then comes a revolution.... Necker was the cause of the saturnalia that devastated France. It was he who overturned the monarchy, and brought Louis XVI. to the scaffold.... Robespierre himself, Danton, and Marat have done less mischief to France than M. Necker. It was he who brought about the Revolution.”Térèzia remained at Paris, which was soon transformed by the wonderful genius who rose to supreme power upon the ruins of the chimeras with which she and her friends had deluded themselves. The men of the Revolution, regicides and murderers, fled from the country. Napoleon was an enemy of a different kind from Louis XVI., and [344] he was now the idol of the people. His strong hand held the reins of government, his mighty genius dominated the nation and led their armies to victory; the fierce, unruly populace quailed before him. He scorned the mob and hated the Revolution.The Prince, who was not tired at all, and who had arrived in sight of the cottage, said he would like some milk and would go and see the cows milked.

The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc d’Epernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abbé Cartier, curé of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytère with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytère, and when the good Abbé returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.There had, in fact, been a strong reaction against the restraint and dullness of the last few years of the reign of Louis XIV., when the magnificent, pleasure-loving King, whose victorious armies had devastated Europe, who had made princes of his illegitimate children, lavished the riches of the country upon his mistresses, and yet in his stately beauty and fascination been the idol of France; had changed into a melancholy old man, depressed and disillusioned, looking with uneasiness upon the past, with fear upon the future; while the brilliant beauties and splendid festivities of bygone days had given place to virtue, strict propriety, and Mme. de Maintenon.The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.

S’il bannit les gens déréglés

The fêtes and pageants of the Church and court were most gorgeous and impressive. Even to see the King, royal family and court set off for Versailles, Fontainebleau, or any other of the country palaces was a splendid spectacle, the immense number of state coaches which conveyed the King, [13] the Dauphin, [14] Mesdames de France, [15] their numerous households and those of the other Princes of the blood, made a procession which seemed interminable. It was the custom that on these occasions the court should be in full dress, and Mme. Le Brun, in her “Souvenirs,” mentions that a few years later, after her marriage, she went to see the last of these departures in state for Fontainebleau, and observes that the Queen, the unfortunate Marie Antoinette, covered with diamonds which flashed in the sunshine, and with her regal air and majestic beauty, looked like a goddess surrounded by her nymphs. [16]“Courage, mamma; we have only an hour more.”



But as dinner-parties then took place in the day-time, often as early as two o’clock, Lisette soon found it impossible to spare the time to go to them. What finally decided her to give them up was an absurd contretemps that happened one day when she was going to dine with the Princesse de Rohan-Rochefort. Just as she was dressed in a white satin dress she was wearing for the first time, and ready to get into the carriage, she, like her father in former days, remembered that she wished to look again at a picture she was painting, and going into her studio sat down upon a chair which stood before her easel without noticing that her palette was upon it. The consequences were of course far more disastrous than what had befallen her father; it was impossible to go to the party, and after this she declined as a rule all except evening invitations, of which she had even more than enough.Flight and danger—Mons—Zurich—Zug—The Convent of Bremgarten—Death of M. de Sillery—Of égalité—Mademoiselle d’Orléans and the Princesse de Conti.When she received the ladies of the Court on her accession, Mme. de Clermont-Tonnerre, a thoughtless girl of sixteen, sat on the carpet all the time, hidden by the ladies of the household who stood before her, making grimaces behind her fan, whispering nonsense, pulling the dresses of her companions and making them all, even the Queen herself, unable to restrain their laughter; so that great offence was given and the blame of course laid on the Queen. The King was very angry, sent for Mme. de Clermont-Tonnerre and reprimanded her; whereupon she turned all her spite against the Queen, and all the Clermonts went into opposition.

[40]“Can I grant it without consulting you?”


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